We’re living through a quiet inversion — a moment when the map has overtaken the territory, and data has become the dominant expression of what we call real. The human story, long mediated through art, language, and memory, is now increasingly shaped by algorithms, proxies, and synthetic simulations of experience. What began as tools to extend our understanding have become the filters through which that understanding must now pass. And so we find ourselves adrift in a new kind of labyrinth — one built not of walls, but of reflections.