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Tag: technology

Through the Overton Window: Flock, Funding, and the Fabric of Surveillance

The age we’re living in feels increasingly curated, controlled, and surveilled. From cameras on poles to the algorithms in our pockets, the quiet pressure of ambient anxiety seeps into daily life. The potholes remain, but the panopticon grows. This is not just about technology, but about sovereignty — about remembering what is real, and reclaiming the ground beneath our own feet.

Copyright as a Weapon: Strikes, Claims, and Cultural Control

We live in a time where silence doesn’t fall by accident — it’s engineered. The voices that once stirred, questioned, and disrupted are now managed by algorithms and hidden behind claims of “fairness” or “safety.” What looks like protection is often just control in disguise, and the weight of it falls not on corporations but on individuals who dare to speak, create, or critique.

The Ratchet of Empire: Banking on Control

We live in a time where convenience masquerades as freedom, where fragility is normalized as compassion, and where the very systems we trust most quietly corrode our sovereignty. The scaffolding of modern life — banks, codes, governments, technologies — promises stability yet delivers dependency. To see through the veneer requires stepping back, asking what we truly value, and remembering that resilience, not comfort, has always been the foundation of a thriving human life.

Uglification and the War on Authenticity

Art and beauty have always stood as mirrors to the human spirit — reflections of what uplifts, connects, and endures. Yet in recent times, much of what passes as “culture” seems inverted, hollowed, or deliberately distorted. In peeling back the layers of this narrative, what emerges is not just critique, but a call to discernment: to seek out what is authentic, to remember what resonates, and to notice where ugliness has been normalized.

Gatekeepers of Time: Beyond the Uniform Story

The story they give us is neat, clean, uniform — but reality is nothing of the sort. Nature bends, history breaks, memory distorts, and yet the official chronologies march on as if untouched by chaos. What we inherit is a curated illusion, a scaffolding of narratives that conceal more than they reveal. And the deeper we look, the more obvious it becomes that the “truth” on offer is not truth at all, but a managed performance.