It feels true to me that we write primarily for ourselves, whether it’s poetry, prose, a script for stage or screen, music or commercial copy. We are ultimately the ones to satiate and to satisfy; we will read it (repeatedly, during its creation and editing), listen to it (I call it “singing practice,” but, let’s be honest), or be subject to its repercussions (good or bad) once released into the world.
Published 22 December 2019